The SkyRose Chapel Pipe Organ



Dedicated September 20, 1997
Rose Hills Memorial Park
Whittier, California


The pipe organ for the SkyRose Chapel, Rose Hills Memorial Park, created and built by Quimby Pipe Organs, Inc., Warrensburg, Missouri, is a four-manual instrument of 65 ranks based on an eclectic tonal design.  The concept does not copy any historical style of organ building.  The tonal design is a synthesis, resulting in a concept that is distinctly American.  The instrument features Blackinton-Johnson style electro-pneumatic slider windchests and electro-pneumatic unit windchests for extended ranks.  The SkyRose Chapel pipe organ contains 3,937 pipes ranging in size from over 32 feet in length to those smaller than a pencil.  The pipes are constructed of various alloys of tin and lead for those shorter than 4' in length and a zinc alloy for pipes longer than 4' in length.  The Solo division played from the fourth manual of the pipe organ features several historical reed ranks built by the Skinner and Aeolian-Skinner Organ Company of Boston, Massachusetts.  These include the Tuba 1924, French Horn 1946, English Horn 1946, and Corno di Bassetto 1946.  The instrument is provided with Chime and Harp stops.  The 20 tubular Deagon Class A Chimes built in 1924 are played by an electro-pneumatic striking action and the restored Harp with 61 bars and resonators featuring their original electro-pneumatic action was built by the Skinner Organ Company in 1929.

The visible casework for the SkyRose pipe organ is constructed of oak and contains 38 painted zinc pipes with pipe metal mouths painted gold and nine oak pipes.  The pipes in the central case are functional and are part of the Pedal 32-16-8' Principal, and Great 16' Violone.  The longest pipe in the façade is 32' G of the Pedal Principal rank.  The wood pipes in the side case are part of the Pedal 16' Bourdon rank.  The pedal organ contains a full length 32' Posaune which is located in the alcove behind the exposed wood pipes.

The exterior of the console was designed in consultation with Fay Jones and Maurice Jennings.  The parts of the console played by the organist include 133 drawknobs on each side of the manuals which control the stops and intra-manual couplers, and the coupler rail above the keyboards containing 30 couplers allowing the organist to couple one or more manuals to another.  The manuals, drawknobs, and tilting coupler tablets were constructed for Quimby Pipe Organs, Inc., by Harris Precision Products, Whittier, California.  The key and stop functions are controlled by a Peterson Electro-Musical Products Multi-plex relay system which includes a MIDI, allowing the instrument to be played from a sequence recorder.  The combination action controlled by thumb pistons beneath the keys of the manuals and various toe pistons and paddles above the pedal board, also by Peterson Electro-Musical Products, has 99 levels of memory, piston sequencer, three genral ventil pistons to control Reeds Off, Mixtures Off, and Manual 16's and Pedal 32's Off, three ensemble pistons, and three programmable Crescendo settings.

The wind for the pipes is provided by blowers that equal 11 H.P.  The wind for playing the pipes is stored in 14 reservoirs and four schwimmers regulated to the required wind pressures.  Wind pressures range from 15" measured by water gauge for the Tuba to 4" for the Choir division.

Members of Quimby Pipe Organ, Inc., making significant contributions in the construction of the instrument are Doug Christie, Chris Emerson, Charles Ford, Johanna Harrington, Eric Johnson, Kevin Kissinger, Brad McGuffey, Michael Miller, Gary Olden, Michael Quimby, Wayne Shirk, Stan Sparrowhawk, Elizabeth Viscusi, and Randy Watkins.



Four Manual Specification
GREAT ORGAN ~ Unenclosed

Violone 16' 73 pipes 1 - 12 in façade
Diapason 8' 54 pipes 1 - 7 from pedal Principal
Principal 8' 61 pipes
Violoncello 8' 61 notes extension 16' Violone
Harmonic Flute 8' 49 pipes 1 - 12 from 8' Bourdon
Bourdon 8' 61 pipes
Octave 4' 61 pipes
Koppel Flute 4' 61 pipes
Quint 2-2/3' 61 pipes
Super Octave 2' 61 pipes
Mixtures IV Ranks 1-1/3' 244 pipes 19 - 22 - 26 - 29
Bombarde 16' 61 notes extension Trompette
Tuba Mirabilis 8' 61 notes duplexed from Solo
Trompette Harmonique 8' 73 pipes
Trumpet 8' 85 pipes
Cromorne 8' 61 notes duplexed from Choir
Clarion Harmonique 4' 61 pipes
Tremolo
Chimes duplexed from Solo
Harp duplexed from Solo
Tower Chimes
MIDI on Great





SWELL ORGAN

Gedeckt 16' 80 pipes
Gedeckt 8' 68 notes extension 16' Gedeckt
Viola 8' 80 pipes
Viola Celeste 8' 80 pipes
Salicional 8' 68 pipes
Viox Celeste 8' 68 pipes
Principal 4' 68 pipes
Nachthorn 4' 68 pipes
Viola 4' 68 notes extension 8' Viola
Viola Celeste 4' 68 notes extension 8' Viola Celeste
Rohr Nazat 2-2/3' 61 pipes
Octave 2' 61 pipes
Flageolet 2' 61 pipes
Tierce 1-3/5' 61 pipes
Plein Jeu IV Ranks        2' 183 pipes 2' Rank from Octave
Hautbois 16' 80 pipes
Trompette 8' 80 pipes
Hautbois 8' 68 notes extension 16' Hautbois
Vox Humana 8' 68 pipes
Vox Mystique 8' 68 notes Vox Humana Box Closed
Clarion 4' 68 notes
Tremolo
Chimes
MIDI on Swell





CHOIR ORGAN ~ Enclosed

Silver Flute 16' 80 pipes 1 - 12 electronic
Flauto Mirabilis 8' 68 notes duplexed from Solo
Gamba 8' 68 notes duplexed from Solo
Gamba Celeste 8' 68 notes duplexed from Solo
Rohrflute 8' 68 pipes
Gemshorn 8' 68 pipes
Melodia 8' 56 pipes 1 - 12 from Rohrflute
Silver Flute 8' 68 notes extension 16' Silver Flute
Silver Flute Celeste TC 8' 56 pipes
Principal 4' 68 pipes
Orchestral Flute 4' 68 notes duplexed from Solo
Spitz Flute 4' 68 pipes
Silver Flute 4' 68 notes extension 16' Silver Flute
Nazard 2-2/3' 61 pipes
Octave 2' 61 pipes
Block Flute 2' 61 pipes
Tierce 1-3/5' 61 pipes
Mixture III Ranks 1' 183 pipes 22 - 26 - 29
Cromorne 16' 80 pipes
Trompette Harmonique 8' 61 notes duplexed from Great
Cromorne 8' 61 notes extension 16' Cromorne
Clarion Harmonique 4' 61 notes duplexed from Great
Tuba Mirabilis 8' 61 notes duplexed from Solo
Tremolo
Chimes
Harp 8' duplexed from Solo
Celeste 4' duplexed from Solo
MIDI on Choir





SOLO ORGAN ~ Enclosed

Contra Gamba 16' 80 pipes 1 - 12 electronic
Flauto Mirabilis 8' 68 pipes
Gamba 8' 68 notes extension 16' Gamba
Gamba Celeste 8' 68 pipes
Orchestral Flute 4' 68 pipes
Gambette 4' 68 notes extension 16' Gamba
English Horn 8' 73 pipes
French Horn 8' 73 pipes
Corno di Bassetto     8' 73 pipes
Tuba Mirabilis 8' 80 pipes
Clarion Tuba 4' 68 notes extension Tuba Mirabilis
Tremolo
Harp 8' 61 bars electro-pneumatic action
Celesta 4' 49 notes extension 8' Harp
Tower Chimes Prepared for
Chimes 20 tubes Deagan Class A
MIDI on Solo





PEDAL ORGAN

SubPrincipal 8-31 case 32' 49 pipes 1 - 7 electronic
Contra Bourdon 32' 56 pipes 1 - 12 electronic
Principal 16' 32 notes extension 32' Principal
Violone 16' 32 notes duplexed from Great
Bourdon 16' 32 notes extension 32' Bourdon
Gamba 16' 32 notes duplexed from Solo
Gedeckt 16' 32 notes duplexed from Swell
Silver Flute 16' 32 notes duplexed from Choir
Octave 8' 32 notes extension 16' Principal
Violoncello 8' 32 notes duplexed from Great
Viola Celeste 8' 32 notes duplexed from Swell
Bourdon 8' 32 notes extension 32' Bourdon
Gedeckt 8' 32 notes duplexed from Swell
Choral Bass 4' 32 pipes
Bourdon 4' 32 notes extension 32' Bourdon
Mixture IV Ranks 2-2/3' 128 pipes
Contra Posaune 32' 32 notes extension Great Trumpet
Contra Basson 32' 32 notes 1 - 12 electronic;
duplexed from Swell Hautbois
Posaune 16' 32 notes extension from Great Trumpet
Bombarde 16' 32 notes duplexed from Great
Hautbois 16' 32 notes duplexed from Swell
Cromorne 16' 32 notes duplexed from Choir
Tuba Mirabilis 8' 32 notes duplexed from Solo
Trumpet 8' 32 notes duplexed from Great
Trompette Harmonique 8' 32 notes duplexed from Great
Hautbois 8' 32 notes duplexed from Great
Clarion 4' 32 notes from Great Trumpet
Hautbois 4' 32 notes from Swell Hautbois
Cromorne 4' 32 notes from Choir Cromorne
Chimes 21 notes from Solo
MIDI on Pedal





COUPLERS

Great to Pedal 8-4'
Swell to Pedal 8-4'
Choir to Pedal 8-4'
Solo to Pedal 8-4'
Swell to Great 16-8-4'
Choir to Great 16-8-4'
Solo to Great 16-8-4'
Choir to Swell 8'
Solo to Swell 16-8-4'
Great to Choir 8'
Swell to Choir 16-8-4'
Solo to Choir 16-8-4'
Great to Solo 8'
Swell to Solo 8'
Great to Great 16-4' Unison Off
Swell to Swell 16-4' Unison Off
Choir to Choir 16-4' Unison Off
Solo to Solo 16-4' Unison Off
All Swells to Swell



A Close-up of the pipes


The Console





GENERAL & DIVISIONAL PISTONS:  Peterson MSP 1000, 99 Levels

Great Organ 1-2-3-4-5-6-7-8-0 Thumb Pistons
Swell Organ 1-2-3-4-5-6-7-8-0 Thumb Pistons
Choir Organ 1-2-3-4-5-6-7-8-0 Thumb Pistons
Solo Organ 1-2-3-4-5-6-7-8-0 Thumb Pistons
Pedal Organ 1-2-3-4-5-6-7-8-0 Thumb Pistons & Toe
General Pistons 1-2-3-4-5-6-7-8-9-10-11-12-13-14-15-16-17-18;
Thumb Pistons, Generals 1-6 and 13-18
duplicated by toe studs
Next Piston
Previous Piston
Set Piston
General Cancel Piston





CRESCENDO & EXPRESSION PEDALS

General Crescendo Pedal (60 positions) Standard Crescendo
Peterson Crescendo Indicator Crescendo A Programmable
Crescendo B Programmable
Crescendo C Programmable
Swell Expression Pedal 16 stages electro-pneumatic
Choir Expression Pedal 16 stages electro-pneumatic
Solo Expression Pedal 16 stages electro-pneumatic





REVERSIBLES

Great to Pedal Thumb and Harris Paddle
Swell to Pedal Thumb and Harris Paddle
Choir to Pedal Thumb and Harris Paddle
Solo to Pedal Thumb and Harris Paddle
Swell to Great Thumb and Harris Paddle
Choir to Great Thumb
Solo to Great Thumb and Harris Paddle
Swell to Choir Thumb
32' Principal Thumb and Harris Paddle
32' Bourdon Thumb
32' Contra Posaune Thumb and Harris Paddle
32' Contra Basson Thumb
Sforzando Thumb and Harris Paddle
All Swells to Swell Thumb
Manual Transfer Thumb






A Close-up of the console
MIDI

Yamaha MDF-2 Sequencer
MIDI in and out jacks
Duplicate Sequencer out jack


PISTON SEQUENCER

Peterson Electro-Musical Products


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Revised & Updated April 21, 2005